Nolan has become one of the
best new directors of our times and his army of followers believe he can
deliver a brilliant end to his Batman saga.
I can assure you, he has.
Starring Christian Bale as
the returning Batman/Bruce Wayne, Anne Hathaway as Selina Kyle (A.K.A.
Catwoman) and Gary Oldman as Commissioner James Gordon, eight long years have
passed since the end of The Dark Knight. With Batman forced into exile due to taking
responsibility for the actions of Harvey Dent, no one has seen him since the
night the aspiring district attorney died. The passing of the Dent Act has
however helped Gordon to clean up the streets of the city of Gotham and bring about
a time of peace without need for the Batman. Unfortunately Bane and his crew
hope to spoil that on a huge mission to wreak havoc on Gotham, and Bruce Wayne
must don the cape and cowl once again to restore the balance.
Bale gets to do a lot more
than growl, returning more to Batman Begins than The Dark Knight as we get to
see much more of Bruce Wayne, who goes through almost as much building as in Batman
Begins. We get to watch the tired and aging former billionaire pushed back out
into the world and then realise that you don’t get to win by just being Batman.
His whole ideology has to be reworked, and, in the words of the immortal Ra’s
Al Ghul, becomes “more than just a man… a legend”.
Many people had worries
whether Anne Hathaway, one of the only major actors new to working with Nolan,
would be able to do Selina Kyle (the nearest we get to ‘Catwoman’ is newspaper
headlines) justice, but I can assure you she is a great fit, and far more
sultry than I imagined she would be. She is, as in the comics, not exactly
trustworthy, and is out to gain the spoils of the rich now feeling more
protected thanks to Gordon. She is skilled and deadly, and gets to kick plenty
of butt alongside Batman.
Jim Gordon, having got to the
top of Gotham’s police department, is man who has sacrificed so much for
justice. He has able to pull the city out of the ground and gained the trust of
every officer in the service. However when Bane strikes, Gordon has to out on
his own again and round up as much help as possible for Batman in an attempt to
stop Bane’s plan.
And what a plan it is. Tom
Hardy is pretty damn scary as Bane, a mercenary with a plan of his own.
Concerns that he is hard to understand through his mask are justified at
points, but mostly he is very coherent, although still raspy and metallic. In
The Dark Knight we saw the Joker causing fear and chaos to break the city, but
this time Bane is far more clinical. He is set on one goal and has a master
plan that he implements step by step. He forces the caped crusader to his
limits, making him crawl out of the pit of his broken spirit, and maybe that
may not be enough.
Besides the main cast there
are two that stand out: Joseph Gordon-Levitt is John Blake, a “hot-head” cop
Gordon naturally takes under his wing, who becomes another Batman can trust,
and Marion Cotillard, who plays Miranda Tate, new board member at Wayne
Enterprises and potential love interest for Bruce Wayne.
This film is on a scale not
seen since the black and white epics of yesteryear. Nolan’s hankering to create
as much of the bigger scenes without relying on visual effects really pulls off
with hundreds of extras, cars, and explosions you feel rumble through your
skin.
The stakes here are well and
truly raised as Bane executes each step of his deadly plot with precision. As
usual the superb cover-up by Nolan and everyone involved has stopped almost
every essential element from reaching the outside world, and so it is hard to
say much without spoilers on every level. I will say that some of the rumours are
true, some are half true.
Though this end for Batman is
not without its faults, there are very few and therefore few people responsible
for making them. The cast, new and old, are superb and the action is brilliant
and awe inspiring. Though some plot points are a little predictable there are
plenty of twisting moments to make up for them. The only let down was one
climactic effects shot (again, trying to remain spoiler free) where after the
scale of everything else, something that big seemed like it should have had
more weight behind it.
Overall, a truly brilliant
piece of cinema, and will please both comic book fans and film lovers alike. An
extraordinarily written, directed, acted and every-other-category film, a
triumph of vision and probably the best superhero film we’ll get in a long
while.
A Must-See. 9.5/10.
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